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Il cinema di Armando Crispino attraverso la ricerca del figlio.
Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.
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Macchie solari (Autopsy), L'etrusco uccide ancora (The Etruscan kills again), commandos are titles that refer to a category for lovers, that of B-movies, Italian thriller of the '60s and' 70s. But in the life and in the poetry of their director, Armando Crispino, there is more, says his son Francesco. Searching for a meeting with his father in the maze of his production, he finds himself investigating the world of Italian genre cinema. Finding that even in this area left in the shadows by the critical discourse we can find more, and better, than we think.
«Il cinema di Armando Crispino attraverso la ricerca del figlio.»
Ettore ScolaSelf
Ninetto DavoliSelf
Mimsy FarmerSelf
Carlo LizzaniSelf
Steve Della CasaSelf
Luca ReaSelf
Glauco OnoratoSelf
Dario ArgentoSelf
Gianni MorandiSelf
Barbara BouchetSelf
Riz OrtolaniSelf
Daniele CostantiniSelf
Armando CrispinoSelf
Franca LumachiSelf






















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