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When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.
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When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.












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