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Jean Rouch shot La Pyramide Humaine in 1961. We discovered it the summer of 2012. This treasure draws suggestive connections between a politic conflict and the art of creation by itself. That summer we were in charge of shooting the staying of Sahrawi children with host families from Barcelona during the summer holidays. Nothing seemed to us more inspiring than get deep into the essence of that movie. And we dare to play. It is an audiovisual experiment, by way of an imperfect tale, with three protagonists: a Sahrawi friend in exile, a group of kids from the desert and a play.
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Jean Rouch shot La Pyramide Humaine in 1961. We discovered it the summer of 2012. This treasure draws suggestive connections between a politic conflict and the art of creation by itself. That summer we were in charge of shooting the staying of Sahrawi children with host families from Barcelona during the summer holidays. Nothing seemed to us more inspiring than get deep into the essence of that movie. And we dare to play. It is an audiovisual experiment, by way of an imperfect tale, with three protagonists: a Sahrawi friend in exile, a group of kids from the desert and a play.












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