Film · 2001

Relative Time-table

The same moment and composition were captured using two Super 8 cameras with a simple setup employing a half-mirror. These films, one in color and the other in black and white, were developed in-house and blown up to 16mm. The screen alternates between "images" of the same moment and composition. The color portion is 24 frames per second, and the black and white portion is 1 frame per 2 seconds. Even though we say it's the same moment and the same composition, this is only conceivable based on the assumption that film records and reproduces reality in time and space. When you directly handle film as a sculptural material, you see just how ambiguous that is.

TMDB ★ 0 / 0 Stimmen6 min
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Story

The same moment and composition were captured using two Super 8 cameras with a simple setup employing a half-mirror. These films, one in color and the other in black and white, were developed in-house and blown up to 16mm. The screen alternates between "images" of the same moment and composition. The color portion is 24 frames per second, and the black and white portion is 1 frame per 2 seconds. Even though we say it's the same moment and the same composition, this is only conceivable based on the assumption that film records and reproduces reality in time and space. When you directly handle film as a sculptural material, you see just how ambiguous that is.

Kurzinfos

Originaltitel
Relative Time-table
Status
Released
Start
01.01.2001
Laufzeit
6 min
Originalsprache
ja

Produktion & Finanzen

Sprachen
No Language

Regie, Drehbuch, Produktion

Regie
Yo Ota

Externe IDs

Darsteller

Crew

Yo OtaDirector

Bilder & Plakate

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