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Film · 1980
Amor
Shot in Rome and Salzburg’s natural theatre, the film uses cutting and sewing as metaphors for love, separation, and the craft of montage. Cloth being trimmed, hands clapping, and tools striking accompany images of tailoring, architectural restoration, and Beavers himself in a new suit, linking gesture and sound to the editing process.
TMDB ★ 6.2 / 11 Stimmen15 min
Teil der My Hand Outstretched to the Winged Distance and Sightless Measure Reihe
Ruth Franklin
Robert Beavers
Richard Davis
